PRESS CONTACT FOR IMMEDIATE RELEASE: 7/8/2015
Philip Watt, Producer
pwatt99@gmail.com / (646) 322-6901
New Jazz Play THE COOL, Featuring the Music and Life of Legendary Trumpeter Chet Baker, to Open in East Coast Premier
Original Play Premiers at The Back Room at Jimmy’s No. 43 for One Weekend Run
NEW YORK (July 8, 2015) – Philip Watt returns to New York City in the role as Chet Baker in a one act play, The Cool, written by San Francisco playwright and journalist Barry Eitel. The play opens its New York City premier in The Back Room at Jimmy’s No 43 on Manhattans’ East side, and runs from July 10-12.
As an actor, Watt’s credits are extensive; his repertoire covers stage and screen. Last week, the Warner Brother’s documentary Batkid Begins: The Wish Heard Around the World, opened at New York’s Angelica theater and numerous movie theaters nationally. Watt, a classically trained actor with a BFA from Cincinnati Conservatory of Music was cast as Batkid’s arch rival, The Riddler, in a civic effort that galvanized the entire City of San Francisco, by helping a 5-year-old leukemia patient to live out his dream as superhero Batkid, who, with the aid of Batman, saved the City by the Bay in one of the biggest human-interest stories of 2013, seen by an estimated one billion people, worldwide.
As a 19-year-old aspiring actor, Philip made his screen debut in one of Michael Jackson’s early ground-breaking videos, the 1996 Stranger in Moscow. He spent five years in Los Angeles, appearing on stage with Theodore Bikel, Patrick Cassidy, Don Swayze, Jenny Lewis, and onscreen with Katie Holmes (Eve 6), Brendan Fraser (Monkeybone), among others.
Watt adapted the works of Welsh poet, Dylan Thomas, in a solo play that toured from New Jersey through Kansas, to Las Vegas, and finally to San Francisco, approved by Thomas’s agent, David Higham Assoc. He is currently adapting the work of Stephen Crane, and his one-act play, Stephen Crane, 25, appeared along with the premiere of The Cool last month in San Francisco.
Watt began playing trumpet at age 10 and can be heard on the sound track of Don’s Plum and two albums with Rilo Kiley and The Elected, and has recorded trumpet with Elliott Smith, Mike Bloom, Blake Sennett, and others.
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Set in a New York City rehearsal studio in 1959, The Cool occurs during a tense practice session for Baker and his band while Baker attempts to find a nightclub to host a comeback show, following Baker’s served time at Riker’s Island for drug charges stemming from his struggle with heroin addiction. During the session, the musicians listen to Miles Davis’s classic Kind of Blue for the first time. They play six jazz standards and have heated debates about the future of jazz, and the influence of race, culture, and identity in American life. As they explore questions of the musicianship of saxophonist Charlie Parker and star trumpeter Dizzy Gillespie, Baker’s own identity as an innovator in the world of jazz becomes increasingly clear even in the midst of his painful, personal often public struggle with heroine dependency.
Both Eitel and Watt consider the workshop production at Jimmy’s No. 43 as the next step on the road to developing the piece into a full-length jazz musical. With funding from a Titan grant from Theater Bay Area for Watt, he and Eitel co-produced a staged reading of The Cool at San Francisco’s PianoFight one month ago.
Other works from BARRY EITEL: Headwriter for Boxcar Theatre’s The Speakeasy, about a Prohibition-era speakeasy.. His 10-minute play “Minutiae” has been produced in Chicago, Oakland, and published by Smith & Kraus in its Best 10 Minute Plays of 2013 compilation. His short plays have been produced in a handful of cities.
THE COOL
[July 10 @8, 11th @8 and July 12th @ 2]
The Back Room at Jimmy’s No. 43
43 E 7th St
New York, NY 10003
(212) 982-3006
For press invite or more information, please contact Philip Watt at pwatt99@gmail.com.